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PostHeaderIcon Hand Quilting Made Easy

Now that quilting machines are widely available, hand quilting is often considered the last option. This is because hand quilting is associated with finger sore and pain, eats up a lot of time, and seems a laborious process. Yet, there are still a good number of quilters who devote themselves to hand quilting and, while putting up with these kinds of drawback, manage to come up with beautifully and intricately designed quilts and receive awe and admiration from peers. Their works, which yield a classical appeal, eventually become some sort of a standard.

How do they do it? Aside from not having their drive sapped by the thought of hand quilting being hard, time-consuming, and painful, they apply some techniques to make the activity more fun and enjoyable. Since then, they experience minimal, if not zero, difficulty or pain. You can do it as well, and here’s how:

1. Use a thimble. This will keep the middle finger, which maneuvers and pushes the eye end of the needle, from sore and needle pricks. There are now various options for thimbles. There are those that are designed for people with long nails and those that address sweating. In place of a commercial thimble, some quilters use homemade thimbles made from leather scraps and other like materials.

2. Quilt with a hoop or frame. A quilting hoop is more like an embroidery hoop that holds and stretches out the quilt, making it steady. This consequently keeps a proper tension and makes stitching a lot easier. But unlike an embroidery hoop, in which a fabric for embroidery is tightly tucked, quilting hoop functions best when the quilt is loosely attached. The center of the quilt must be pushed down and the sides should be hanging loosely.

Hopefully the information presented so far has been applicable. You might also want to consider the following:

3. Keep the thread, at the most, 18 inches long. If it is too long, the thread is more likely to get tangled. It is also best to thread all the needles before beginning the actual quilting session. Doing so will keep you from stopping to thread again and again.

4. Use smaller needles. In quilting, smaller stitches are more ideal, but the problem with hand quilting is often about the stitches being large, uneven, and non-identical. Smaller needles can solve this problem.

5. Practice hand movement and rhythm to perfect stitch size and consistency. This will be at first difficult, but as you progress from project to project, you will be able to make beautiful stitches. The key here is not to be overly obsessed with the size of the stitch. Focus on the stitch evenness first; after a while, making smaller stitches will come almost naturally.

6. Stick to tools and materials that you are most comfortable working with. But try to experiment with different kinds of brand every once in a while because manufacturers are always introducing innovative products.

7. Remember that hand quilting is a continuously improving craft and that quilting techniques are developed every now and then; therefore, never stop learning from different people and other sources even if you’ve become a master yourself.

As your knowledge about Quilting continues to grow, you will begin to see how Quilting fits into the overall scheme of things. Knowing how something relates to the rest of the world is important too.

About the Author
By Anders Eriksson, feel free to visit his top ranked GVO affiliate site: GVO

PostHeaderIcon Washing Your Quilting Fabrics

Quilts (and most ideally all the quilting materials before they are made into quilts) need to be washed. The only exceptions to this are those antique quilts good only for exhibitions and quilts that are not in good condition.

The advice of washing your quilt materials (main fabrics, batting, threads) before they are assembled into a quilt is important if you are not sure about them.

Washing the fabrics first before incorporating them into a quilt releases any excess dye from the fabric. (Colors in new fabrics tend to run at the first laundry sessions.) Washing also gives the fabric the chance to stretch into its natural ?worn? shape.

Fabrics

The first consideration on washing is the fabric or fabrics your quilt is made of. Traditionally most quilts are made of 100% cotton or of cotton mixes that are very close to 100% cotton.

This is because cotton is a natural fiber, hardy and available in so many varieties of patterns and colors. (It is also the top choice in making clothes.)

Check next what type of material the thread and batting of your quilt are made of. Once you know, you would know the detergents to use and how to treat your quilt in the laundry process.

Detergents

Use only an unscented liquid-based, color-free detergent in your quilts. Do not use any detergent that has fabric softeners in them. Fabric softeners can damage the fabric fibers as can scents and dyes.

NEVER use bleach on the quilt. This does not only ruin the color, they will damage the fibers of the fabric as well.

Once you begin to move beyond basic background information, you begin to realize that there’s more to Quilting than you may have first thought.

Carefully read the detergent’s composition and follow religiously the instructions well. They may be harmless, but some additives in some can be harmful to the fabric when used regularly.

Washing proper

Fill the washing machine with warm water, never hot water. While it is filling up, add the detergent. Stir to make sure the detergent is fully dissolved.

Put in your quilt. Do the regular warm/cold water wash cycle.

Put the quilt in the machine and select a regular warm/cold water wash cycle. Finally, do the cold/cold water wash cycle minus the detergent.

If your quilt is made of delicate materials, air-dry it in an area out of the sun. This will keep the colors intact because sunlight can fade fabric colors.

Let your quilt have a regular tumble-dry if it is made of good quality fabrics. Do not wring your quilt. It might cause a permanent crease and stresses the quilt’s materials.

Hand washing quilts

You can do hand washing of your quilt if you are up to the hard work. Do it in a large bath tub. Fill it with enough water to submerge your quilt fully with an inch or two of water allowance.

Again, make sure the detergent is fully dissolved before stirring the quilt in the water with your hands. Let the machine do the laundry if you are not up to it.

When you are confident that your quilt can be washed and your fabric can take the stress, then you can have the peace of mind that your quilt will be in good condition for years.

About the Author
By Anders Eriksson, feel free to visit his top ranked GVO affiliate site: GVO

PostHeaderIcon Styles In Quilting

So what is Quilting really all about? The following report includes some fascinating information about Quilting–info you can use, not just the old stuff they used to tell you.

Quilting, like fashion, evolves with the times. Like any work of art, too, it also has its own traditional classics, innovations, and varied influences.

The inspiration for these styles is as different as the people who made them, their history, and their dependence on the materials and fabrics on hand. The following are some of the major quilting styles that had become staples.

Knowing them is a good step for a beginner. It can eventually help develop your very own style in the end.

Baby quilts

This is one of the all-time favorites. Baby quilts become treasured mementos when their users (who were once babies) become older.

Experienced quilters tell us that babies tend to like the feel of satin and the flannel-like materials. Since this would sound like the finished quilt is going to be used (and washed) a lot, make sure that you use durable materials and threads.

Rag quilts

Today’s latest in the quilting circles are rag quilts. These are quick to make and fun-looking. They are distinctly refreshing in their conscious break from traditional designs.

They tend to combine lots of medium-sized blocks sewn together, patchwork style. It mixes unusual materials often overlooked in quilting (denims, flannel, polar fleece, etc).

Patchwork quilts

This old standard beauty is made by sewing together little patches of fabrics, and in different sizes and shapes. Generally, they are to make a pattern or blocks of pattern.

The quilt blocks are then sewn to become the quilt top. The quilt is then made after this process.

Christmas quilts

Is everything making sense so far? If not, I’m sure that with just a little more reading, all the facts will fall into place.

Another standard favorite are the Christmas quilts. Traditionally, it is always a good idea to use plain white backgrounds and utilizing blazing red and cool green fabrics.

Gold and silver are acceptable as accents. Christmas motifs (bells, holly, flowers, etc) are not encouraged, though.

Amish quilts

One of the most beautiful and inspiring quilts are those made by the Amish people. Their original patterns (tree of life, star of Bethlehem, double wedding ring, etc) have been replicated and used all over the world.

The quilts are famous for their simple yet striking designs, as well as for their intricate quilting styles. Thick batting are traditional and their finished quilts are very tidy.

Memory quilts

Like its name, memory quilts are made for remembrances and celebrations of lives of loved ones, loved events, or some memorable occasions mostly connected with the family.

Birthdays, weddings, births, deaths, anniversaries ? all the reasons to commemorate an event is memorialized in a quilt to extend that particular memory.

Cathedral window quilts

These are the quilts inspired by the beautiful shapes and patterns of stained glass windows in churches all over the world.

Most copied are the window panes. The quilts are made from muslin or cheesecloth. The choice of cloth is to simulate the translucent effect of light generated by a real church window. The window frames are made from heavier cottons or calicos.

Other quilt styles

More and more styles are coming up every so often. The last of the popular ones include the Civil War, Hawaiian, Photo Memory and the Scrap quilts.

Today, there are more quilting styles than can be listed as there are hybrids being produced almost every day.

About the Author
By Anders Eriksson, proud owner of this top ranked web hosting reseller site: GVO

PostHeaderIcon All About Appliqué

If you have even a passing interest in the topic of Quilting, then you should take a look at the following information. This enlightening article presents some of the latest news on the subject of Quilting.

Appliqué is a quilting technique which involves applying layering one fabric above another and sewing it on. The term appliqué comes from the French word appliquer, which is a French verb meaning “to put on.” Even though the word comes from the French, the technique has been used in many cultures and throughout history, with the earliest examples of appliqué being found thousands of years ago. Learning the uses and how-tos of appliqué will expand the possibilities of quilting enormously for you. Appliqué is a versatile technique which is useful for design options regular quilting can’t accomplish.

The first step in learning appliqué is selecting a design. Small, intricate shapes will not work well for this technique, at least not when you are first learning. Start with a simple shape for your beginning appliqué project. Something basic like a circle or heart will serve you well for your first attempt. In order to create a pattern for your appliqué design, many people choose freezer paper, because it is stiff without being too thick. Trace your design onto the freezer paper and cut it out and then you can easily trace your appliqué onto the fabric you’ve selected cotton is a good choice). Next, carefully cut the appliqué design out, leaving 1/8th inches all around.

The more authentic information about Quilting you know, the more likely people are to consider you a Quilting expert. Read on for even more Quilting facts that you can share.

In order to stabilize the appliqué, you can either glue the freezer paper to the fabric design, or pin it. Now you will have to deal with the raw edges. Since the fabrics are being layered atop one another, as opposed to being sewn in seams as with traditional quilting, it’s very important to learn to finish the raw edges so they won’t unravel and be unsightly. One way to do this is to take your scissors and carefully snip to the marked line and then press the seam allowance under all the way around your design. Use the tip of a Popsicle stick or a chopstick to help smooth the little edges of fabric down.

Now position the appliqué design where you want it on the base fabric and hand stitch it down. There are several possibilities for stitching your appliqué. Do you want to hide the stitches or use it as a decorative element for your appliqué? If you want to hide the stitching, blind stitch or hem stitch are good possibilities. For decorative touches, try buttonhole stitching. You can use any embroidery stitch that strikes your fancy, but with some of the more complicated stitches it’s a good idea to anchor your appliqué with a hem stitch first.

The last step is to very carefully cut a small slit in the background fabric only, behind the appliqué. Be certain not to cut through the appliqué itself! Then gently reach in and remove the freezer paper. Now turn your appliqué over and press it, smoothing the edges and taking care if you’ve used a decorative embroidery stitch. That’s it! That’s how easy it is to learn to appliqué. Once you’ve tried your hand at appliqué, you will be glad you’ve added it to your quilting repertoire.

About the Author
By Anders Eriksson, feel free to visit his top ranked GVO affiliate site: GVO

PostHeaderIcon Choosing Fabrics for Quilting

So what is Quilting really all about? The following report includes some fascinating information about Quilting–info you can use, not just the old stuff they used to tell you.

Many crafters are drawn to quilting because of the wide variety of beautiful fabrics available. Walk into any fabric store or quilting shop, and your eyes are nearly overwhelmed with all the choices in fiber and color. Bolts of fabrics in a rainbow of colors assail the senses. The contemporary quilter is lucky indeed to have the huge array of fabrics available to her. However, this embarrassment of riches can also lead to uncertainty in selecting the correct fabrics for a quilting project.

While the craft of quilting was one borne of necessity and thus many different fabrics have been used throughout the years, far and away the most common fabric for quilting is cotton. Some historical quilts may use brightly colored wool, usually appliquéd quilts, as wool is a bit heavy to be used for pieced quilts. Cotton is such a wonderful all-purpose fabric which washes well (though be sure to pre-wash all cottons to pre-shrink it) and maintains its color and hand. Generally speaking, 100 percent cotton is going to be the quilter’s first choice. You may be tempted by the bargain blends on the sale rank at the fabric store, but think twice before you commit to these fabrics. For a little bit more money, it’s worth it to invest in quality fabrics for your quilt. After all, you’re going to be spending quite a few hours of your precious time making the quilt, so why not invest in the best? Besides, relatively speaking, fabrics for quilting simply don’t cost that much money.

The information about Quilting presented here will do one of two things: either it will reinforce what you know about Quilting or it will teach you something new. Both are good outcomes.

One of the most important elements of choosing fabrics for quilting is color. Often this is a topic which confuses beginning quilters, but there’s no need to shy away from learning about color. Most people are far more adept at combining color than they imagine. First off, learn to trust your intuition (unless you know you are color blind!)-if you like the way colors look together, others probably will also. And remember that this is your quilting project and you should choose fabrics that you love the look of, and that you’ll enjoy working on. Another trustworthy way to choose the color of fabrics is to study nature. You really can’t go wrong emulating the way colors go together at the ocean, or in the forest. Go to your neighborhood park and study the various hues you’ll see looking at a tree, or the lawn.

For those who want a bit more guidance, you can do a rudimentary study of color theory. Study the color wheel and familiarize yourself with the primary colors (red, yellow, blue), secondary colors (green, orange and violet), and intermediate colors which combine primary with secondary colors. Another aspect of color for fabrics is value-light, dark and medium. The values in your fabrics should be well balanced, and not too heavy in any one value. You might also want to consider the intensity of the colors in your fabrics, which is the brightness or dullness of a color.

Familiarizing yourself with the wide variety of fabrics available for quilting is a pleasurable experience that will also enhance your enjoyment of the craft.

About the Author
By Anders Eriksson, feel free to visit his top ranked GVO affiliate site: GVO

PostHeaderIcon Patchwork Techniques

When many people hear the word quilt they think of many colorful blocks or patches created from old clothes sewn together to form a large rectangular blanket. Pieced patchwork is actual much, much more complicated. Pieced patchwork is made from fabric scraps that are cut into regular shapes and then sewn together in geometric patterns to form blocks. The pieces may be joined by hand or machine. Machine stitching is quicker and more durable but hand stitching is traditional.

Creating an accurate template will allow a quilter to make patches identical in shape and size, and that will fit perfectly together. Templates may be made or purchased. To make a cardboard template transfer the design on to squared paper and cut it out with sharp scissors. Glue the cutout to a piece of cardboard. Be sure to include a seam allowance. Cut out the cardboard template and protect the paper seam allowance by coating it with a thin layer of clear nail varnish or polish. Always make new templates for each shape required in a project.

To make a plastic template, place the clear plastic over the design and draw around each shape. Draw a seam allowance around each shape and cut out.

Once you have created a template, place it on the fabric, lining up one straight edge with the grain of the fabric. Draw around it with a quilter’s pencil or tailor’s chalk. To create several patches at once fold the fabric in several layers-accordion style. Staple the template to the layers and cut out the pieces, preferably using a rotary cutter and a cutting mat.

So far, we’ve uncovered some interesting facts about Quilting. You may decide that the following information is even more interesting.

If you are using backing papers or iron on interfacing they may be attached now.

To join the patches and form the patchwork, first lay them out and make sure you are happy with the design. Once you are, you may begin piecing. Hand piecing requires the patches to be placed right sides together and pinned. Pin each corner first. Join each patch with a small whipstitch, inserting the needle in one corner and working across to the other. Remove the pins as you go.

If you are machine piecing your patchwork, you may join several pairs of patches at a time by using the flag method. Pin the patches right sides together in pairs. Machine stitch along the seam line using the foot as a guide. Leave s short uncut thread between the pairs. Cut each into units. Join enough pairs to make one patched piece. Remember to press the patch seems flat to one side to avoid bulk. Do not press them open.

Once you patchwork quilt top has been completed, layer it together with batting in the middle and backing fabric on the back. Baste the layers and quilt as desired. If you are quilting straight lines and using a machine, a quilting foot made for this purpose is available. For free-form quilting remove the foot completely and lower the foot lever. Use your hands or a hoop to stretch the fabric taut, and stitch slowly.

Take time to consider the points presented above. What you learn may help you overcome your hesitation to take action.

About the Author
By Anders Eriksson, proud owner of this top ranked web hosting reseller site: GVO

PostHeaderIcon A Notion About Notions

The following article covers a topic that has recently moved to center stage–at least it seems that way. If you’ve been thinking you need to know more about it, here’s your opportunity.

When you take up quilting, there are many notions, or items that will make your task easier and more fun. These specialty items are available online, in craft shops, department stores and quilt shops. While not all are necessary, they really do come in handy.

Metal-edged rulers are used when creating templates and when cutting cardboard and fabric with a rotary cutter or knife.

Metre rules are used with set squares to cut lengths of fabric.

Set squares are used to measure accurate right angles and are used with metre rules to cut lengths of fabric.

Tape measures are flexible measuring tools used for measuring lengths of fabric.

Pair of compasses are used for drawing circles.

Vanishing markers crate special marks that will fade n contact with water.

Dressmaker’s wheels and chalk are used to directly mark fabric. The chalk will brush off.

Dressmaker’s scissors and shears are used for cutting fabric only.

Paper scissors are used for cutting paper.

Embroidery scissors are small, sharp and often decorative scissors that are used in quilting to cut thread and trim fabric.

Pinking shears have serrated blades. They are used to create decorative edges and prevent fraying.

Rotary cutters are used with a cutting mat. They are great for cutting multiple pieces that are exactly the same, at the same time. Rotary cutters are available in different sizes. Small cutters work best for cutting curves and a few layers of fabric. Large cutters cut many layers at a time and are ideal for cutting long straight lines.

Cutting mats are made especially for use with rotary cutters. They protect both the tabletop and the blade. Mats with printed grids are useful for cutting right angles.

Sometimes the most important aspects of a subject are not immediately obvious. Keep reading to get the complete picture.

Quilter’s needles are used for hand sewing appliqué and patchwork. Betweens are used for making smaller stitches.

Crewel needles are used for working embroidery stitches.

Quilting pins are longer than dressmaker’s pins and pass through several layers of fabric easily.

Safety pins are sometimes used in basting quilt blocks together.

Beeswax is applied to quilting thread before stitching so that the thread passes smoothly through the fabric.

Thimbles are essential for hand quilting. They are used to push the needle through several layers of fabric at once. Many styles are available. Some quilters and sewers collect thimbles.

Unpickers-or rippers are used to remove stitches.

Irons are used for pressing patchwork seams and to remove wrinkles from fabric.

Embroidery hoops are used while quilting. Wooden frames are usually used for hand quilting. Plastic frames with metal spring closures are used for machine quilting.

Ribbon may be used to embellish appliqué or crazy patchwork. It may also be used to edge a border. Ribbon may be velvet, satin or manmade material.

Trimmings such as fringing, pompon tape; tassels and flat ribbon tape may be used to make unusual edgings or to embellish a patchwork piece.

Lace can be used to embellish appliqués.

Quilters’ gloves offer protection when using rotary cutters and needles.

Needle threaders make threading needles a breeze.

Any of the notions listed above would make a great gift for your favorite quilter.

About the Author
By Anders Eriksson, feel free to visit his top ranked GVO affiliate site: GVO

PostHeaderIcon Quilting Tools: A List Of The Essentials

The following article lists some simple, informative tips that will help you have a better experience with Quilting.

Anyone who starts to take interest in quilting is commonly overwhelmed by the thought of collecting all the patterns he sets his eyes on. While this is okay, the first task of a beginning quilter is actually to gather all the necessary quilting tools.

Here is a list of the most basic quilting tools. Although some tools need to be purchased, others are just sitting in the house, or more appropriately in the sewing box.

Pins
These are necessary to keep fabrics together while quilting. There are many different kinds of pins. Some have glass heads, while others are ball-headed. The latter are more preferred by most quilters because they are more visible and are easier to hold. Pins that are sharp, fine, and long are recommended for quilting purposes.

Pin Cushion
It is used to hold and keep pins when not in use. Other quilters also use magnetic pin strips to pick up stray pins and collect pins that have been left lying on top of the quilt.

Once you begin to move beyond basic background information, you begin to realize that there’s more to Quilting than you may have first thought.

Needles
There are two types of quilting needles: hand quilting and machine quilting needles. Both kinds are stronger and sharper than the ordinary sewing needles since they need to pass through multiple layers of fabrics without the tendency of bending and breaking. Hand quilting needles, also called betweens, come in four sizes: 9, 10, 11, 12, with 9 as the biggest and 12 as the smallest. They also have smaller eyes and are thicker than other needles. Machine needles, meanwhile, need to be replaced every so often to keep making fine stitches and to prevent the needles from breaking.

Thimble
Worn when hand quilting, thimble cushions the finger that pushes the needle and works to prevent finger sore and needle pricks. It can be a little uncomfortable when first worn, but proves to be helpful in protecting the finger and controlling the needle. Thimbles are usually made of metal, although leather thimbles have become more popular nowadays. In fact, leather thimbles are recommended for novice quilters because they have a better grip on the needle.

Fabric Marker
An essential quilting tool, fabric marker is used to line out the fabric. Depending on the fabric, you can use any of these three markers: pencil, chalk, or fabric marker pen. Soft lead pencil is the most commonly used fabric marker as it is easily washed off and fades over time. Chalk is also a good alternative and is fairly easy to remove. However, it does not work well when making detailed markings and drawings. For this purpose, a fabric marker pen is best used. Like the other two, it can be easily washed out and fades after some time. Before using a fabric marker, it is best to first test it on a sample fabric. Mark a small piece from the fabric you are using and wash. See how the fabric reacts to the marker.

Rotary Cutter
A circular blade, rotary cutter is used to cut and trim fabrics with precision and accuracy, which makes it very useful in cutting identical strips. Because of its strength and sharpness, it can work with fabrics of different texture and thickness and can glide through fabrics in multiple layers. A rotary cutter is often used with other quilting tools such as rotary board or mat and transparent plastic ruler. For other cutting purposes, scissors are used in place of rotary cutter.

About the Author
By Anders Eriksson, feel free to visit his top ranked GVO affiliate site: GVO

PostHeaderIcon Choosing And Preparing Fabric

Do you ever feel like you know just enough about Quilting to be dangerous? Let’s see if we can fill in some of the gaps with the latest info from Quilting experts.

Choosing fabric for a quilting project can be as much fun as doing the project itself. Even if to quilters choose the same quilt pattern, different choices of fabric will make each quilt unique. Most quilter’s prefer using fabric that is 100 % cotton because they are easier to sew, mark, press and hand quilt. If you are shopping for fabric in a quilt shop you will rarely find fabric that is not pure cotton. Fabrics will also probably be arranged according to colors and print types.

With more experience fabrics other than cotton may be added for variety. Not all fabrics are suitable however. If you are using an unusual fabric for the first time, or want to use different types of fabrics together, try a small test block first. Fabrics of a medium density, with an even weave work well. Loosely woven fabrics are prone to distortion, as are stretch fabrics. Silk, lightweight wool and some plastics may be used with experience.

Both the color and tone of the fabric you choose will influence the overall effect of the pattern that you choose. Tone may be used to create depth and interest with greater effect than when using color alone. Good planning is necessary to achieve the desired look.

Color is greatly affected by the colors around it. Using contrasting colors will make pieces of a quilt block stand out from each other. Combing certain warm colors such as reds, yellows and oranges, in the same quilt block as cool colors like blues, greens or violets, will make them look more vivid.

Think about what you’ve read so far. Does it reinforce what you already know about Quilting? Or was there something completely new? What about the remaining paragraphs?

Combining fabrics with various print scales and styles can add visual texture to your quilt. Interesting visual effects may also be achieved by using colors of graduated values. Printed cotton fabrics are available in many designs and styles including batiks, homespun plaids and florals, tiny-grained prints that look like solids, reproduction prints, and soft flannels. Solid-color fabrics come in just about every color, shade and tint that you can imagine.

Quilt blocks made from fabrics of the same or various shades of one color, but of contrasting textures can create pleasing results. Fabrics with a nap such as velvet, or fabrics with sheen like taffeta also provide interest.

Whatever fabric you choose for your quilting project, you must prepare it properly before you begin. Most cotton fabrics shrink when they are washed and dried. If you do not preshrink your fabric before you make your quilt, the fabrics may pucker at the stitching lines and the finished product may shrink in size the first time it is washed.

To prevent this wash all fabrics first in a washing machine on a short gentle cycle. Use cool or warm but never hot water. You may use a mild detergent, but it is not necessary unless the fabric is soiled. Wash like colors together in case they are not colorfast. Machine dry the fabric and press it with an iron. You are now ready to begin your project.

About the Author
By Anders Eriksson, proud owner of this top ranked web hosting reseller site: GVO

PostHeaderIcon Neo Quilting

The rise of technology in the various scenes of everyday living has really given a huge boost in the propagation of the entire human race. Basic concepts and principles have been aptly modified in order to cope with the changing of times. This modification has also led to the improvement and increased efficiency of most of the practices in varying industries and trades. Let’s knock on the door of a growing method as far as popularity is concerned. Let’s go neo quilting.

Quilting has been vastly improved via the appearance of a certain method called longarm quilting. This involves a process wherein a longarm sewing machine is utilized to sew or patch together a quilt top, quilt batting, and quilt backing into a shining finish of quilt top. The machine which has a length of about ten to fourteen feet usually consists of a common industrial sewing machine head, a foot table of ten to fourteen feet length, and rollers that serve as fabric placement. The most significant feature of the longarm version is that less time is needed in order to complete the process.

It was the birth of the sewing machine that triggered the existence of an idea about having a specific quilting machine. It arrived in 1871 as a quilting frame and machine as having a pair of bars that facilitated for the quilting process resulting into straight and parallel lines on the fabric. It was in 1877 that the design jumped into a more similar form with that of the modern-day quilters which are identified nowadays as the longarm quilting machine. Since during that period electricity was not around, the user manually operated a crank to start the machinery and the quilting process.

Three decades passed by and the quilting machines took even larger strides in terms of design and patent changes. Even though there are lulls such as the Depression era which brought about the decrease in the use of sewing machines en route to a shift of support towards hand sewing, these machines were able to stand their ground. Upcoming and fresher designs were even circulated to further raise the popularity of such machineries.

Most of this information comes straight from the Quilting pros. Careful reading to the end virtually guarantees that you’ll know what they know.

Quilters have found it more convincing and comforting to side with longarm quilters during the past years mainly because the quality of the quilt top finish has drastically reached new levels. More so, quilters do not have to undergo a process which is considered by many as time-consuming specifically when the traditional methods were utilized.

Long arm quilting has also allowed for an extended network of the trade as professional longarm quilters can be depended on for services finishing quilt tops. The easy access, quick operation, functional improvements, and economical benefit have really boosted the acceptance and support of the quilting art in general.

There are two ways in which style is crafted using the methods and efficiency of long arm quilting. The first one is identified as the pantograph. The pantograph design is placed underneath a plastic layer on the table. It is then traced using the laser that is equipped on the machine head. This design usually has the same length as the quilt and can undergo repetition in rows so as to come with a certain all-over design on the quilt top.

Another type of longarm quilting is called custom work. This is tapped on occasions when the quilter desires quilt blocks to have individual designs per block or area of the quilt. This version is more time expensive and time-consuming as compared to pantograph. Moreover there are some instances when additional resources and working time is demanded.

About the Author
By Anders Eriksson, proud owner of this top ranked web hosting reseller site: GVO